I made the mistake of buying 2 lens at about the 1800mm size. One is the 1780mm Nikkor and the other the Carl Zeiss Jena Apochromat Tessar 15/180cm (1800mm) Lens. One advantage the Zeiss has is the fact it is probably 40-50% smaller.
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| The Zeiss on the left, the Nikkor on the right |
My week off work starts tomorrow. I need to dive head long into the darkroom trailer, get the water pump working and prepare the trailer up for road travel. I will need to figure out a working system to store everything safely while allowing for relatively fast set ups on location.
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| Carl Zeiss Jena Apochromat Tessar 15/180cm (1800mm) Lens, with duct taped rear cap |
The "Silvergrain Classics Magazine” that includes THE FAMILIES OF THE DUMP story is selling for $18.90 USD.
https://www.freestylephoto.biz/5549429-SilvergrainClassics-Magazine-9-4th-Edition-2020
The PREMIER Analog Photography Magazine... SilvergrainClassics (formerly PhotoKlassik International) is not a disposable magazine, but a wealth of information alongside some of the most beautifully printed photographs in any periodical, on any topic. Each copy will be a treasured resource of inspiration and entertainment, for years to come.
SilvergrainClassics Magazine #9 (lV/2020), 100 pages.
This month's cover story is an image from renowned album cover photographer Michael Wilson's portfolio series titled "People I Knew / Didn't Know". Also included is a look at the portfolios of Azerbaijan from Ilkin Yagubov, haunting landscapes from Frang Duschaj, large scale darkroom magic from David Salinas, and others. Other articles and columns include "The Importance of Subject Matter" by Bruce Barnbaum, "The Secret Underworld of Film" by Ignacio Benedeti, "Generation Z and Slide Film" by Chris Schmidtke, and lots more!
Features
The “Analog Forever Magazine” that includes THE FAMILIES OF THE DUMP story is going for quite a bit, $49.50 USD
https://www.goldstreetstudios.com.au/product/analogue-for-ever/
Description
Analog Forever Magazine is proud to announce our third print publication will be published and released in February 2021! We are excited to present to you a 166-page journal featuring 10 analog and experimental photographers from around the globe each exploring various methods for using the medium we love in individual, creative ways.
Inside you will find interviews with Judy Dater, Gerry Yaum, Heidi Kirkpatrick, Lori Vrba, and David Burnett. Featured alongside them are portfolio features of Felicita Russo, Don Whitebread, Ky Lewis, Molly McCall, and Noell Oszvald. This edition is a tantalizing mix of photographic icons, established photojournalists, and emerging photographers that all bring the undying spirit of analog and film photography to our doorstep with their outstanding dedication to their craft.
In sum, Analog Forever Magazine, Edition 3 will embark readers on a photographic journey around the world through ten different artists’ eyes. Through this publication, you will be transported from artists’ private and commercial studios to both the 1979 Iranian Revolution and to the Mae Sot Thailand garbage dumps where more than 50 Mon and Karen refugee and immigrant families live. On your way, you will stop to gaze into the beautiful vast night skies captured on long exposures before you are rocketed to surreal otherworldly dreamscapes only found in science fiction. You will have the opportunity to explore the minds and collections of abstract, experimental, documentary, and landscape photographers that are as unique as they are brilliant.
With over 125+ pages of analog photography greatness coming holiday season 2020, we are thrilled to present to you this preview of the artists selected for Analog Forever Magazine’s third issue, to satisfy your senses until you can hold our third publication in your hands. Please enjoy the artists’ work, explore their websites, follow them on social media, and get ready for the third part of our analog journalism revolution!
Magazine Specifications:
-8″ x 10”
-166+ pages
-200+ Images
-Super Smooth Uncoated 176gsm Paper
-Soft Touch Matte Laminate Cover
-Perfect Bound
-ISBN 978-1-7341517-2-5
Thinking of getting a back up camera(s) for the RV, darkroom trailer set up. The RV is 28 feet, the trailer is 14, with the hitch gap were talking 45-48 feet of length. Having 2 back up cameras, one on the RV (for use when there is no trailer) and one on the trailer. Seems like a good plan. Been watching YouTube installation vids on this unit, it seems doable. With the extra camera, the total cost would be about $450 CAD (self installation).
"I love living in Canada. I just, I just love it, I don't know what it is, I just love living in Canada."
This Ceylon photography by Julia Margaret Cameron has been haunting me the last few days. A 150 year old photograph that haunts in 2021, now that is some great photography!
I hope some of the work, especially the coming wet plate ambrotypes have the chance to be exhibited at Cameron's old home Dimbola, on the Isle of Wight, England. What a true honour it would be to show photographs where JMC made so many great works.
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| Ceylon number 4 by Julia Margaret Cameron made after 1873 |
Bought a motor home to use on the wet plate Canada photography project AMBROTOS KANATA. This unit is 21 years old, but I think (hope) it can get the job done. The project can officially begin, June 2021. I AM SO F-CKING EXCITED!!! I can now travel/camp and make ambrotypes. Let the journey, the adventures and the fun begin!! This is going to be good :).
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| The new/used Travelaire Type C 28 foot RV with Diesel 7.3 enghine |
Also attached the 600mm F9 Apo-Nikkor to a lens board. Picked this little lens up from a seller in Thai a few years back. I need to get a lens cap made for this one.
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| Apo-Nikkor 600mm F9 mounted to board |
Got my flange and lens board combo from S.K. Grimes today. I just attached it to my 42 inch F14 Artar Red Dot lens. I bought the lens way back in June of 2016, and finally got a flange for it! Not sure what this beautiful thing will cover but it will work with various formats I plan to use. 16x16, 12x20, 16x20, 20x24, 29x35 and 35x35 inches. The lens should work for some of those. Will start using it soon!
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| The 42 inch Artar Red Dot in the Chamonix Sinar adaptor board. I plan on using this lens for the 16x16, 12x20 and 16x20 format sizes with the Chamonix 16x20 camera. |
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| My soon to be used 42 inch red dot Artar lens |
"I longed to arrest all the beauty that came before me at length the longing has been satisfied."
Here are some links to the wonderful work of Julia Margaret Cameron. I wish she would have kept photographing in Ceylon, I really love those images, they are mysterious and magical. I wonder how many of those later photographs were lost?
https://commons.wikimedia.org/wiki/Julia_Margaret_Cameron
https://www.christies.com/en/lot/lot-5433207
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| Julia Margaret Cameron |
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| Cassiopeia, June 1866 by Julia Margaret Cameron |
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| A Ceylon image I have always loved by Julia Margaret Cameron |
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| Untitled Ceylon |
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| Untitled Ceylon 2 |
Some recent possible/maybe interest for THE FAMILIES OF THE DUMP and THE PEOPLE WHO LIVE UNDER THE FREEWAY by the Dimbola Museum and Galleries on the Isle of Wight in Great Britain/England. It is early days, this might not happen.
Dimbola is a truly unique and amazing place. It is the former home of
the great Victorian era photographer Julia Margaret Cameron. Just
visiting their would be a wonderful experience, showing there would be
surreal.
The wet plate imagery, has a bigger chance of being shown I think. The Dimbola might also be a location for future exhibitions for the Canadian wet plate AMBROTOS KANATA ambrotype/negative project. Imagine showing. wet plate images in the same location as one of the greatest photographers in history. To have work shown in a place where Julia Margaret Cameron felt and created her wonderful imagery. A lovely venue and a possible future exhibition opportunity. Things like this enjoyable to think about while making ambrotypes. Opportunities like this are inspiring, they drive you to work harder. Got to love that! It can only make AMBROTOS KANATA better.
More to come. I HOPE! :)
Please check out their website, and support their wonderful work if you can.
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| Dimbola Museum&Galleries |
Found out today that the Covid-19 virus is spreading badly in the area of Klong Toey Slum where I made THE PEOPLE LIVE UNDER THE FREEWAY photos. Bangkok is now a hotspot, Klong Toey is worse. In the area under the freeway the government medical people and police have found many positive cases as well as many illegal workers. They also closed down the nearby KlongToey Market two days ago.
I worry for my friends.
THE PEOPLE WHO LIVE UNDER THE FREEWAY Story
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| DUI in his cloth room under the freeway |
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| Dupree Bolton, photographer unknown |
Update: Wrote this comment on Facebook when answering a comment made by a friend about the abuse.
GY- yes...the abuse was part of his life but I hope the book includes so much more. The writer wanted me to talk about his personality his thoughts, his friends etc. I hope the book is rounded and true to who Dupree was as a person. I guess originally the writer had done an article on him, and he is now expanding it to book form. He has been interviewing people for 20 years, many who have passed. I feel he is going to do something beyond the drug stuff, which is beautiful and the right way to go.
Strange moment of the day, first a bit of background. So the year is 1985-86. I was 21 and had travelled West to Vancouver and then South down the West coast of America. My idea was to make photos of what I found, it was about 7-8 month trip, 6 of those months in the USA.
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| Dupree, what he looked like when I knew him, photo by unknown photographer |
These were donated from work a few years back. The doll with red hair I gave to a young girl in the dump, a sweet moment. Toys given from one child to another.
Blog Write Up About The Donation
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| Donated toys in my guard shack at work (donated by a coworker), 2019 |
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| 2 of the toys handed out in the dump, to the children, 2019 |
Am learning more about towing, the dangers, the government regulations etc. One thing I learned today is that with a Type C motorhome you have a trailer tongue weight limit of around 500lbs for most Type C Motorhomes. That is because with many Type Cs there is a huge overhang from the rear wheels of the RV to the bumper. If you put too much weight on that rear bumper (over 500lbs) it can become unsafe to tow the trailer.
To counter that danger they have a device called a TOAD TRAILER. The toad trailer is a set of wheels that supports the weight of the tongue of the trailer being towed. It makes perfect safety sense to buy a unit like this, even thou it will be expensive ($3700CAD plus). I also read the toad wheels assist with overall trailer stability and helps reduce trailer wobble and shake.
I wonder if it will help stabilize the darkroom trailer when it is still attached to the motorhome and I am walking around and working in it. It probably will, so that will be a second bonus. It will help me to make the towing safer and help the working stability inside the trailer. Well worth the money I think!
I might be using one of these 'Trailer Toads" in the future. Here is what they look like.
Update: Posted this on my Facebook page, got lots of feedback and help from friends about towing. Thanks so much everyone. I now know the importance of packing my trailer properly see video below.
Update: Wrote to the Trailer Toad folks, they told me that a Toad was not necessary for my set up (their opinion)
Properly Loading A Trailer Video
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| Trailer Toads in action! |
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| A reliable engine? Who knows with these older RVs. |
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| A functional kitchen is vital. Good food, nicely prepared, will help the process. |
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| Having a chair to read on the road would be nice. When the project is going wrong, when the process is going wrong, having a place to chill and think things out, will be important. |
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| A small but fully functional washroom is essential, especially a toilet and a shower. After 8-12 hour days making ambrotypes, I will be covered in stinky chemicals. Having access to a decent shower, will be the best, the most healthy way to end a long day. |
