Social Documentary Photography for a Better World!

Sunday, April 13, 2014

November Trip Scans 22

Here are another 15 from the November trip photos.

"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013

Saturday, April 12, 2014

Another Darkroom Workshop Coming And A New Second Darkroom?

There will be another workshop happening this week, this one is a darkroom workshop with one of my recent view camera students. I am unsure how to spend the $100 fee, possibly I can put it towards 3 more boxes of Tri-x 100foot bulk or I might get some replacement 8x10 sheets for the film I used when I photographed dad. Either way as with all my blog advertising money and workshop money it will get reinvested in the photography.

I am thinking of setting up a second darkroom, if I can find the space. The darkroom would be used for workshops and rental purposes. I have enough equipment to easily stock a new darkroom space so the costs should be minimul. I would have to pay for a plumber to come in and hook a sink(s) up but that would be about it, I might have to install some kind of ventilation system as well. I have extra enlargers, sinks, trays, safe lights, developing tanks etc in storage so there would be no extra cost to purchase equipment. If I could continue to do workshops at the current pace and maybe rent out the darkroom occasionaly at $20 ($25) an hour I would be able to make a profit that I could use to buy more film and photo paper.

Update* It looks like I might have 2 darkroom workshops this week, one on Tuesday and one on Sunday. I can use the $220 (charging a bit more for 8x10 enlarger use) towards film, probably 35mm bulk Tri-x as mentioned earlier. I can buy 5 or 6 boxes, and pay for the extra costs out of my security money. Having a large stock of Tri-x in the freezers is soothing to me, it means I am covered no matter what kind of crazy sh-t Kodak does.

Update** Just did a B&H Photo price check, to get 5 boxes of 35mm bulk Tri-x to Edmonton would cost $390.97 USD (thats for everything, customs, shipping, GST), 6 boxes cost $466.43 USD.

Email From A Friend

I got a  nice email today from a friend and very good photographic artist. I was unsure if I should have posted the photos of dad (to harsh?) that I recently took but maybe it was the right decision. I hope the photos are a worthy of my father, here is his email minus the name.

Hey, Gerry

Those photos of your Dad are really beautiful. Powerful. I think they
might be my most favourite photos of yours. Thanks for sending  them.
I am sorry to hear your Dad is dying of cancer. Thinking of you and
hope to see you around soon

--------

A Few More Scans From The Dad Photo Session

I am starting to love the dimensions of the 5x7 negs. The Linhof 5x7 camera is also fun and easy to shoot, hopefully the combination of the easy to use camera and the 5x7 format negs will  create some great portraits in the Asia.

Here are a few more scans from the April 9th photo session with my father. My dad allowed me photograph him without his shirt on, dad has always had the courage to allow me to be honest when photographing him. I will go show him the photographs this afternoon along with a newspaper for him to read and some photos of my friend Larry's house which are featured in a local Edmonton magazine (Dad loves looking at houses).

Update* Dad saw and liked the photos today which was a relief for me. We might try another session in available light or in the studio again, depending on how dad feels. I do not want to push him into doing anything he does not want to or does not have the energy for, it's his choice.

8x10 Tri-x negative, 300mm lens, April 9th 2014
8x10 Tri-x negative, 300mm lens, April 9th 2014
8x10 Tri-x negative,  300mm lens, April 9th 2014
5x7 Tri-x negative, 120mm lens, April 9th 2014

List Of Most Expensive Photographs

Found this of interest, there is quite a drop off in price from 1 to 19. Who is Andreas Gurssky? Some research required.

http://en.wikipedia.org/wiki/List_of_most_expensive_photographs

Friday, April 11, 2014

Slightly New Look

I changed the main colours of the blog to blue from red. Every now and again I like to change things up a bit, move the furniture around to give the living room a slightly different look (something my father loves to do).

I also added a translate link on the left side of the page to allow people from different countries who do not understand english to read the blog. I get hits from pretty much every country on the globe for example Zambia a few days ago. Not sure how your supposed to read the translate button if you cannot read English but here's hoping it helps out some folks. Hopefully this translate feature gives a close approximation of what I actually wrote.

Here are some translations of this blog entry, aren't langauges cool!

Thai:

ผมเปลี่ยนสีหลักของบล็อกสีฟ้าจากสีแดง ทุกขณะนี้และอีกครั้ง ที่ฉันต้องการจะเปลี่ยนแปลงสิ่งขึ้นเล็กน้อยย้ายเฟอร์นิเจอร์ไปรอบ ๆ เพื่อให้ห้องนั่งเล่นดูแตกต่างกันเล็กน้อย (สิ่งที่พ่อของฉันชอบที่จะทำ) ฉันยังเพิ่มการเชื่อมโยงการแปลที่ด้านซ้ายของหน้าเพื่อให้ ผู้คนจากประเทศที่แตกต่างกันที่ไม่ได้อ่านภาษาอังกฤษในการอ่านบล็อก ฉันได้รับความนิยมจากสวยมากทุกประเทศบนโลกเช่นแซมเบียไม่กี่วันที่ผ่านมา หวังว่าคุณสมบัติแปลให้การประมาณที่ใกล้ชิดของสิ่งที่จริงผมเขียน!

Ukrainian:

Я змінив основні кольори блогу на синій з червоним. Час від часу я хотів змінити речі трохи, перемістити меблі, щоб дати вітальні дещо інший погляд (щось мій батько любить робити). Я також додав посилання перевести на лівій стороні сторінки, щоб дозволити люди з різних країн, які не читають англійські, щоб читати блог. Я отримую хіти від значною мірою кожній країні земної кулі наприклад Замбії кілька днів тому. ! Сподіваюся перевести функція дає краще наближення того, що я насправді написав Ось деякі переклади, що я тільки що написав: тайські:

Chinese:

我改变了博客的主色调为蓝色的红色。现在每一次我想改变的事情了一下,将周围的家具,让客厅的稍有不同的外观(东西我父亲喜欢做),我还添加了翻译链接在页面的左侧,使人谁不读英语读博客不同的国家。我前几天得到的点击来自几乎每一个国家在地球上,例如赞比亚。!但愿翻译功能,让什么,我居然写了一个更接近于下面是什么,我只是写了一些翻译:泰国:

Hindi:

मैं लाल से नीले रंग के लिए ब्लॉग का मुख्य रंग बदल दिया है. हर अब और फिर मैं, चीजें थोड़ी बदल कमरे में रहने वाले एक अलग नज़र (मेरे पिता ऐसा करने के लिए प्यार करता है कुछ) देने के लिए चारों ओर फर्नीचर स्थानांतरित करना चाहते. मैं भी अनुमति देने के लिए पेज के बाईं ओर एक अनुवाद कड़ी जोड़ ब्लॉग पढ़ने के लिए अंग्रेजी समझ में नहीं आता, जो विभिन्न देशों के लोगों से. मैं कुछ दिन पहले उदाहरण जाम्बिया के लिए दुनिया पर बहुत ज्यादा हर देश से हिट हो. यदि आप अंग्रेजी नहीं पढ़ सकते हैं, लेकिन यहाँ यह कुछ लोगों को बाहर में मदद करता है उम्मीद कर रहा है, तो अपने अनुवाद बटन को पढ़ने के लिए चाहिए यकीन नहीं. . उम्मीद है कि इस अनुवाद सुविधा मैं वास्तव में क्या लिखा है के एक करीबी सन्निकटन देता है ! यहाँ इस ब्लॉग प्रविष्टि का कुछ अनुवाद langauges शांत नहीं कर रहे हैं, कर रहे हैं थाई:

Got To Find Ways To Create

I need to figure a way to make as many pictures as I can with the time I have left. I have to put myself into situations where I can create photography that is important to me and has personal meaning. How to do that? How to get enough money to make photo ops happen as often as I can for as long as I can. I think I will go ahead with my plan to save a big pile of money then ask for a leave from my job (or quit if necessary) to go to Asia for another extended trip, probably 6 months or so. The earlier blog idea to spend 6 months in Asia and then 6 months in Canada working any odd jobs to get by will be difficult but will also allow me to make pictures, make lots and lots of pictures. If I rotate back and forth and back and forth over a 10 year period, 6 months here then 6 months there seems like the best way to go. Living on a very limited budget in Asia is hard but feasible, I would have to take 2nd or 3rd class buses, eat fried rice and other cheap local foods often and probably mostly do with out a/c more (only rented fan rooms). The idea while in Asia would be to spend less than $10000 CAD in a 6 month period including the $1500 airfare and visa run cost etc. It would be hard to live this way, the photography would be strenuous, challenging and probably dangerous to make but if in the end I created important photographs all the difficulties would be worth it. Here is hoping I can put this plan into effect by the time I turn 53 or 54.

Simplicity In Shooting

Been thinking a lot lately of making things simpler. Jock Sturges uses 1 camera, 1 lens and 1 film to do all of his work, that seems so right to me. Many of my photo acquaintances are dazzled by the toys of photography but whenever I study a great photographer they almost always use simplified tools. The great landscape zone system photographer John Sexton for example uses 1 camera, 2 films and a few lens (4 or 5) to do all his work. He does not need 5 cameras, 10 films and 25 lens. Thinking back to the great Edward Weston it was also 1 8x10 camera, 1 film and a few lens (he did use a Graflex for some of portraiture as well). Henri Cartier-Bresson used a Leica rangefinder and two lens for all of his wonderful work. The pros, the really great artists know how to use simple gear to create memorable work, they are not dazzled by the toys of photography, they use few tools, work hard and make greatness. The hobbyist photographer is unsure of what he is doing and thinks that an extra camera, many lens, many films, many filters etc. etc. will somehow make better pictures. All that gear accomplishes is confusion, the hobbyist has his toys but misses out most times in finding the good image. The thing I go over with all of people who take my workshops is forget all that gear sh-t, do not not be dazzled, work with simple tools and photograph, photograph, PHOTOGRAPH! The greatest pieces of gear a photographer can use are his own heart and mind.

Next trip with my 5x7 I am undecided if I should take 1 or 2 lens, if I go with 1 there is always the chance of it breaking down on me. I do like the idea of really learning 1 lens and 1 film, and creating that way, no photo bells and toy whistles, just me and the subject melding together and telling stories.

Cycle Rickshaw Driver Series?

I thought of a new project from the past I would like to try, photographing the guys who drive the bicycle rickshaw taxis (not sure what they called, cyclo, cycle rickshaw) in Phnom Penh and other areas of Cambodia. I could do a series of portraits of these driver on the street with their bikes and also in their homes with their families, (maybe a Deardorff 8x10 project). I am not sure if anyone has done a series of photos like that before and if so I could try and add some new twists.

Todays Film Development And Tomorrows Cameras

I developed another 3 batches of film today, mostly 8x10 and a few 5x7. All the film developed was from my photo session with my father on the 9th. A few of the negs look a bit soft but most are good, I shot everything at F32 with a 300mm lens on the Deardorff (the camera dad bought me) and a 120mm and 210mm with the 5x7 Linhof. I plan on taking my 5x7 with me next trip to Asia to photograph in the dump, where I hope to shoot 100 or so portraits. The Deardorff is my camera of the future in Thailand, I will start shooting that in a few years as well as soon as I figure out some kind of big wheeled cart system to transport everything.

Large format negs are a joy to work with. I have a ton of 4x5, 5x7 and 8x10 Tri-x to shoot over the next few years, I hope I can tell some important stories of some important people with these tools, especially the Deardorff which will be a a tribute to dad.

November Trip Scans 21

Some more scans from the last trip, not sure how many more of these I have left but I think these are good to OK so thought I would post them. Many times when I am putting images on the blog its just a way for me to look at the photos for a longer period and decide whether I like them enough to spend the time and money to print them.

"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013
"Families of the Dump" Series, Mae Sot Thailand 2013

Thursday, April 10, 2014

Dads Photos

Here are 2 photos  I shot of dad mentioned in the earlier blog. I think in the future I might try to make darkroom tintypes or ambrotypes from these negs. I am so lucky that I was able to take these yesterday, the photos were made because of dads courage. Physically he made it down and up the stairs to the studio and he allowed me the freedom to be honest and shoot him in a truthful way. The pics are sad, they are difficult but true, he is a brave 82 year old man dying of cancer, the photos show the weight loss and hopefully the emotions my father is going through.  Maybe after printing or a darkroom wet plate process the finished image will have a bit of his inner strength, vulnerability and humanity. Once I get these all developed I will send in 1 or 2  as part of next years Alberta Art Acquisition submission. I might even try a show submission of this work or a combined "My Father" show of some kind. Maybe I can show them to the gallery curator I am meeting in May. Without my father I would never have been able to pursue my dreams in photography, so every photo I have ever made is directly connected back to him.

5x7 Tri-x neg shot in studio,  120mm lens, April 9 2014
8x10 Tri-x neg shot in studio, 300mm lens, April 9 2014

Wednesday, April 9, 2014

More Submissions

After a positive email from the Nanaimo Art Gallery I decided to make up 6 submissions tonight of the November 2013 "Families of the Dump" photos. This most recent submission is made up of geographically close Canadian mid level facilities. Hopefully if I get a exhibition at any of these places they will pay an artist fee to help with the cost of 40-50% of the show printing.

- Nanaimo Art Gallery
- Red Deer Museum + Gallery, MAG
- Kelowna Art Gallery
- Mendel Art Gallery (Saskatoon, Saskatchewan)
- Esplanade Arts & Heritage Centre (Medicine Hat, Alberta)
- Southern Alberta Art Gallery, SAAG (Lethbridge, Alberta)

I put 17 photos into the submission packages, I am not sure these are the best I got but they were the ones I found tonight when I looked through my November "Families of the Dump" file on my laptop hardrive. Here are they are:

















Photographed Dad

Before my nighthshift today I photographed my father in the basement studio I have set up at his house today. Dad was such a good sport, he posed for me simply to please me, he did it for his son even thou he is so weak an frail and dying of cancer now. Dad managed to slowly make it up and down the stairs on his own and sat and posed for me for maybe 40 minutes, doing everything I asked. At one time during the shoot near the end I broke down and started crying a bit. I told him how much I will miss him when he is gone, how I will think of him everyday, dad just looked at me with large sad eyes and said nothing. My fathers eyes seem bigger now, its a result of him losing so much weight, his eyes have stayed the same size but his face is smaller than before. I wish I could give him some of my years, so that he could live healthy and happy until 84 or 85, he deserves those years more than I do.

In the past when I was down, I would just think about something photographic, some project, or some idea and my depression would disapear. If I went into the darkroom or made pics I would forget about any problem, any issue, photography has always been a magic drug for me that cures all ills. Now thou I find that I cannot get away from my sadness, everything I do to try to pull myself out of it even my photography does not work, it always comes back to thoughts about dad.

Today I probably photographed dad for the last time in the studio, I hope I created something worthwhile, a tribute to the man my father is. I want him to be remembered, I want his story to not be forgotten after he is gone.

Update* I developed 3 of the 5x7 and 5 of the 8x10 sheets of film I shot of dad as soon as I got home from work in the  morning, they look good, well exposed and processed. The photos will be sad because of dads condition but I hope they will also show kindness and humanity.

Monday, April 7, 2014

Strange Thing

This is not really a photography thingy but I thought I would write about it as it was rather strange. So I decided to take a nap before going to spend time with dad on our birthday, during the nap I had a rather strange dream. In the dream I spoke Thai, it went something like this:

(Note* I do not know how to say the word APRIL in Thai).

Speaking to a group of 3 Thai people on the street in Edmonton,

"How do you say this month in Thai?" The Thai person responds with some word for April. " OK thanks, Today April 7th is my birthday. Today I am 50 years old!"

That was it, that conversation sort of happened 2 times in my dream then I woke up. I quite often speak Thai in my dreams but I never told anyone about my birthday before. Gosh I guess this means even in my dreams and even in a foreign language I am not big on the whole turning 50 thing, its haunting me!

Why I Make Art

Well today is my 50th birthday (and Dad's 82nd). With the coming little chat I am going to have with a local art curator I have been thinking a lot about why I make art. I am not much of an art speak type guy, I hate doing up those artist statements that all submissions require. Many times when I read those things written by other artists it sounds like a bunch of gobliigook horse shit (that's the technical term). It always seems to me like the artist is taking himself way way to seriously and is making up something thats simply not their in the art, they are selling a product by giving it some high falutan secret arty farty speak meaning crap. Great art reaches the viewer without the art speak verbiage, it just has something true in it, something honest that does not need explanations, it reaches deep into your gut without the need to pull out your Thesaurus.

I have always resisted trying to analyze why I make pictures, and have always hoped that the viewer will find their own path. We all have baggage we bring into a gallery. We all see things based on our own life experiences, are own prejudices and viewpoints. Your interpretation of what you see will depend on who you are as a person. I have always felt it is better to let the viewer decide and not try to sell your stuff though unnecessary verbiage. My hope has always been to let the work talk to each individual and leave it at that.

Still, I have been thinking, why do you make art Gerry? What motivates you? This is what I think does it for me.

A driving insatiable curiosity with people, a need to understand who and what they are, and why they are that way. Since I was a young boy I have always been fascinated with trying to understand others. Why do people act the way they do, what motivates them? Why do some turn out this way? Why do some turn out that way?  Why do some do this? and some do that? What make people who and what they are?

My photography my art is an extension of this need to understand, it is my way of chasing that hunger and the way I express and interpret that understanding. My art is my way of connecting to others and telling stories, it allows me to feel, to experience, it's my way of of fulfilling my personal needs, it's my way of being happy.

Not exactly high falutan gobliigook art speak but it's truthful, it's honest.

Happy birthday you old fart Gerry, your 50!

Saturday, April 5, 2014

New Vimeo Vid And A Feeler Email From A Local Gallery

I added a higher quality version  to Vimeo.com of a all video clip I put on this blog a few days back. The short little film was made of footage shot in May 2013 at the dump with the families, its a few minutes long. Here is a link:

https://vimeo.com/91131638

I also got a feeler get to know you and the work email from a high end downtown Edmonton contemporary art gallery today. This attractive and highly respected exhibition space deals with emerging and mid level modern artists. Am not sure if this will develop into anything, it might or might not lead to a showing of some of the "Families of the Dump" project photographs . Will have to see how it goes, it is very early in the process, I will update the blog with more information as it happens. It feels good to get some notice from an established higher level curator even if his short friendly email does not lead to a show.

Update* I doubt this will lead to showing the work, my stuff is probably to conventional for the gallery. I think thou its going to be a great learning experience, I am looking forward to chatting with the curator and talking art. He will be an interesting fellow to get to know, the more you know about people, the more you learn the more your work improves as a documentary photographer. Having a heart to heart chat with a refugee person living in a dump or a art chat with a highly educated gallery curator are both positives all the way around. Our chat and showing of work will happen probably in early May sometime.

Added Vimeo Link

At the top left corner of the blog above the YouTube photography channel link, I have added a Vimeo photography channel link (5 videos and counting). Please check out both channels when you have time.

Thanks Gerry

My 80 Year Plan

My father will pass away at the age of 82 (our joint birthday is next week, dad will turn 82, I will turn 50). With my dads health being so fragile, I have been thinking a lot of my future years and how I wish I could spend them. Nothing is a given, life is constantly in flux and changing but here is my ideal plan for the future if health and other things fall into place.

I would make photos until I am 70 years old, I figure with enough determination I can still carry my larger cameras and gear until that age. After 70 no one knows, maybe I could still be making photographs maybe not. In the years 70+ the plan would be to remove myself from the field and enter the darkroom. I would print my life's work in my final 10-12 years. It all depends if I live as long as well as dad did, my father worked hard everyday until he was 80 years old. I have never smoked or drank in my life (never been drunk) so hopefully that will help a bit with longevity, I need to lose weight thou and start to work out consistently.

If I can manage to get enough money together I plan to spend 5-6 months of every year after I am 54 years old in Asia photographing. I would work in Canada for 6 months and spend the rest in Asia making photos, using Bangkok Thailand as my base of operations. I will have to quit my better paying security job and take any job I can get when I am in Canada. Leaving my job after 20 plus years of nights will be frightening and difficult but it would also give me the freedom to travel and photograph for extended periods in Asia. Photography and telling important stories is what matters most so I need to put aside job worries and concentrate on making the pictures while I am still young enough to do so. Sometimes to achieve your goals you need to be a selfish bastard, not sure the end justifies the means here but I would rather live with trying and failing than with the regret of never having made the effort.

Ultrafine RC 11x14

I tried the Ultrafine 11x14 RC tonight to do up enlarged contact sheets of my 35mm November work. The paper works fine, I cannot really tell much of a difference between the Ilford pearl and the Ultrafine pearl papers.  With rather expensive shipping the Ultrafine still works out to $20 or $30 less per box. I glad things are going to work out with this paper as I bought 500 sheets of 11x14 and 1000 of 8x10!


Friday, April 4, 2014

2003 Bargirl Series Submission?

While looking at some Gerry Yaum photos on a google image search today I also came upon this old photo which was part of the bargirl series from 2003.


I wonder if I should not go through all those old images and make a selection of 10 or so for a new bargirl submission as well. I feel this work has some merit and that I should at least make a bit of effort to have the pics seen by a larger audience. The lives of these workers many who have probably passed away from HIV-AIDS related illnesses in the last 10+ years need to be told, or those lives will probably be simply forgotten.

I could work with the negs in photoshop and print them quite large for exhibition, if that ever happened.

2011 Ring Flash Head Shot Submissions?

Way back in 2011 I used a blad and shot a bunch of ring flash head-head and shoulder shots of sex workers in Thai. At the time I did not make much of an effort to get the work shown. I think I will revisit those negs and submit some work. If I did get a show for the images I would print them digitally. One of the problems I faced was using badly outdated color film that resulted in some wacky color shifts, I could compensate for those issues in Photoshop. Digitally I would also have much more control than I would printing in color in the dark. Here is a sample of those photos from an old blog entry.


http://gerryyaum.blogspot.ca/2011/02/some-more-ringflash-heads.html

Pinterest Link

Arianne Roxa pinned a photo of Mueyly 32 on the Pinterest.com site. Lots of cool photos on the page.

www.pinterest.com/arianneroxa/photography

Vietnamese News - Photo Site Reposting

Not sure if I have posted this link before or not, it's to a Vietnamese news-photography site which reposted the Slate.com feature. At the bottom of the page are links to some good photography.

http://citinews.net/phap-luat/chan-dung-nhung-nguoi-hanh-nghe-mai-dam-tai-thai-lan-ZMP5LFA/

Thursday, April 3, 2014

Donald McCullin Speaks

The great photographer Donald McCullin talks about making social documentary photographs and images of war.

https://vimeo.com/31895705

https://www.youtube.com/watch?v=149X-TuqRUI

Burma Beat Videos

The families of the Mae Sot garbage dump video I put up a few days ago on Vimeo is now a part of this Burma Beat video link page. The galleries in Canada seem to have no interest in showing this story but at least the video is being picked up and seen by some, now the story is being told through the slide show. Check out the other linked vids on the page, some very important Burmese related issues are explored (ethnic cleansing etc). When my photographs-videos get picked up by sites like this it makes all the work seem so worthwhile, you feel like your contributing, like your helping your fellow man, thats as good as it gets.

http://burmabeat.com/videos/

The Burma Beat link page goes to this vimeo.com video "Families of the Dump Version 2".

http://burmabeat.com/videos/show/gerry-yaum-the-families-of-the-dump-burmese-refugees-in-thailand-version-2/53366a23140ba0cb6700000e

Video: "Families of the Dump" Video Only

Did up this no stills all video little film tonight, the music is by the great Tracey Chapman "Revolution". This footage was all shot at the dump in May 2013, you can see a bit of bride and groom they are sitting next to their family home plus quite a bit of Doo-aye and her little brother (all mentioned in earlier blogs in around May 2013). This piece is a rather raggedy and amateurish but its all part of the learning process.


Wednesday, April 2, 2014

Darkroom Workshops? And Expanding Workshops?

I have been communicating with a nice fellow from Calgary (3+ hours South of my city Edmonton) about doing a darkroom workshop soon. My last 2 view camera workshop students are also planning to do a darkroom follow up workshop to process the film they shot. It will be fun to do be doing more of these workshops, you help someone become a better photographer, you meet interesting folks (professional pilots for Air Canada, software designers) and you learn as you teach which helps my photography. The other positive is the money gets reinvested into the photography, so its a win, win, win all around.

I have been thinking of trying to expand the workshops to something bigger, teaching more students at one time. I am not sure how to proceed with this idea but possibly through the metro continuing education system we have in place in Edmonton's public schools. If the workshops eventually get into a classroom setting I could do something on film cameras, view cameras, darkroom (facilities?) and possibly even documentary photography. The workshops would start with a basic introduction of who I am, by showing the work and then proceed to a practical teaching process. I would have to do it as a 1 or 2 day weekend workshop so it does not interfere with my regular night shift security job. I seem to have a steady flow of people inquiring and interested in the individual workshops I am offering, even from another city Calgary so an enlargement (pun included free of charge) of the process might prove feasible.

 It is something to think about, plan for and possibly do in the future.

Note* With the latest workshop interest from Calgary I have added some advertising to some Calgary pages, who knows a few more folks might be interested enough to drive North to study.

Video: Yesterday

Did this slideshow up to some Glenn Campbell. I just pulled off a bunch of photos from the hard drive, boxers, ladyboy sex workers and a mix of other stuff, including a self-portrait at the end.