Tomasz, I valued listening to your guest Gerry and thank you. Gerry's striking black and white photographs capture the stark history of the poor and underprivileged. Like Gerry, my father passed away from cancer 47 years ago, around the time I was delving into film photography. Although I took photos of my dad, I wish I had documented more of his life. Gerry's interview brought back cherished memories of my father.
Thanks for sharing your story. You never forget your father. For me dad is gone now 9 years, 10 in February and I still think of him every day. Am glad the interview brought back those father memories for you as well.
Gerry, I really appreciate your work in Mae Sot and capture of their lives, the compassionate capture of their plight and the follow-on of not just capture of these scenes and people but your assistance to them as well. It's a photographic and giving project close to my heart too. I also love your use of black and white to capture the true feeling of the scenes and plight of the Mae Sot people. Also, the colour night shots - very interesting and compelling. In December I'll be up on the Mae Hong Son area in Thailand with the aim of capturing the Karen Tribes but in general the communities there. On you other initiative of photographing your Dad's passing, I have also done this to capture the feelings we felt at this time. I look forward to seeing more of your work!
Thanks so much for your very kind words. Like I said in the interview. The best thing about photography is the people you meet along the way. A pleasure to meet you today. Enjoy your time in Thai/ Try to learn to speak some Thai and Karen. Speaking and sharing cultures, is always a good way to make friends and photographs. I spent some time in one of the Karen refugee camps (Mae La). A great people that have been at war forever.
Gerry is a true artist, inventing something unique that didn't exist before him and won't exist after him. Gerry shows us the beauty in the midst of the ugliness. A child on a pile of trash is as beautiful as a child in a pretty suit. And it also shows us that the tragedy of our world is that some people have too many things while others have nothing. Our world suffers from the greed of some while others ask for almost nothing, just what Gerry gives them, a little compassion and a lot of respect.
Thanks Gerry, you blew my mind.
Thank you for the very kind words, Simon. I have learned so much from the children at the dump, they have taught me many things. The children there find joy in the most difficult situations, as well as exhibit patience, happiness, love and devotion to their families. I am so lucky to have met and spent time with them.
11 Photos, an Interview and the Cover. THE FAMILIES OF THE DUMP and THE PEOPLE WHO LIVE UNDER THE FREEWAY. The cover image is of Khun Oye, 72, Klong Toey Slum, Bangkok, Thailand 2018
St. Albert Gazette MY FATHERS LAST DAYS Story
2017 Story on an Exhibition about the13 months of my dad life, fighting pancreatic cancer. MY FATHERS LAST DAYS
AMBROTOS KANATA STORIES BLOG
The 15 Year Ambrotype Project, Telling The Story of Canada
Me, W. Eugene Smith, Sebastiao Salgado, Lewis Hine and Walker Evans! :) NOT!!!
Article From Issue 160 "Black&White" Magazine, on Concerned Photography
LUNCHBOX Radio Interview FOR UNB EXHIBITIONS
Interview for the 2 University of New Brunswick Art Centre Exhitions
MONEY EARNED TO HELP THE PEOPLE IN THE PICTURES
Money that will be used to directly help the people in our two photography projects, THE FAMILIES OF THE DUM and THE PEOPLE WHO LIVE UNDER THE FREEWAY $6334.67 ($6000 earned when 6 prints were added to the UNB permanent collection).
GOFUNDME, FAMILES/FREEWAY
Trying to raise $2000 to help the people under the freeway, and the families of the dump. TOTAL RAISED SO FAR = $325 —->$314.67 (after GOFUNDME fees).
UNIVERSITY OF NEW BRUNSWICK EXHIBITIONS VIDEO
Opening Night Video For THE PEOPLE WHO LIVE UNDER THE FREEWAY and THE FAMILIES OF THE DUMP Exhibitions
Analog Forever Magazine
THE FAMILIES OF THE DUMP: Interview and Photos, Online Version of the Published Magazine Story
Asia Photo Review
THE FAMILES OF THE DUMP: Interview and Photographs
Flash Photographic Festival 2022
FAMILIES OF THE DUMP: Story and Photographs
Slate- THE SEX WORKERS OF THAILAND
Photographs and Interview
The Focal Collective
THE PEOPLE WHO LIVE UNDER THE FREEWAY: Photographs and Interview
Vernon Morning Star Newspaper Story
Penticton Art Gallery explores life on the margins of society - Interview And Story
Aquinion Newspaper Interview.
Visualizing Families of the Dump - Photographs and Interview
FRAMES MAGAZINE STORY
LOOK CLOSER: Do we need a photographic code of ethics?
UNB Newsletter, THE FAMLIES OF THE DUMP image.
Families working the garbage at night.
2022 "Families of the Dump"/The People Who Live Under The Freeway Donation Buys
Total donation money spent for the 2022 trip to the Mae Sot dump (THE FAMILIES OF THE DUMP), Bangkok's Klong Toey Slum (THE PEOPLE WHO LIVE UNDER THE FREEWAY). Money spent on "The Families of the Dump" = $571.17 CAD (14982 Thai Baht) Money spent on "The People Who Live Under The Freeway = $144 CAD (3849 Thai Baht) General cases where money was spent to help others in need $15 CAD (401baht)
(Thai Currency) or
CAD
"Families of the Dump" Donation Total
$4420.02CAD
GERRY YAUM'S Documentary Film Making Blog
GERRY YAUM: YouTube Video PHOTOGRAPHY CHANNEL
Shows, photo stories, darkroom work, shooting in the field and fun videos.
GERRY YAUM'S VIMEO Video Page
Gerry Yaum On Facebook
GERRY YAUM FACEBOOK
THE GOAL
To create photographs that speak to the universality, the commonality and the shared humanity of all peoples, regardless of country, race, culture or language.
TRANSLATE YAUM'S PHOTO DIARY INTO YOUR LANGUAGE
Quote: Robert F. Kennedy
“The purpose of life is to contribute in some way to making things better.”
Quote: Nelson Mandela
"As long as poverty, injustice and gross inequality persist in our world, none of us can truly rest."
Quote: Weegee (Authur Fellig)
"Be original and develop your own style, but don't forget above anything and everything else...be human...think...feel. When you find yourself beginning to feel a bond between yourself and the people you photograph, when you laugh and cry with their laughter and tears, you will know your on the right track....Good luck."
I have been thinking of why I love photography, it comes down to something I have labeled "The Three Joys" 1) Creativity The first joy is simply creating the work. Everything about the making of photographs I love. The initial ideas, the writing on the blog, the preparation of equipment, the research into my subjects, figuring out what I want to communicate. The camera tech stuff like composition, lens selection, cameras, figuring exposure, taking the shot etc. The post darkroom work where you swim with your prints bringing them slowly to life, creating something powerful and beautiful. I love it all.
It is so powerful a thing, you have a idea in your mind, there is nothing else, then YOU make it, you create it, it's fricking awesome stuff.
2) The People The second joy is that photography has allowed me a way into so many peoples lives, so many different worlds. I get to meet people of all types, speak to them, eat with them, cry and laugh with them. For a while I get to live their existence to be them if you will.
I get to be a child in a slum in Bangkok or a drug addict in a ghetto in Oakland. I get to be a ladyboy sex worker in Pattaya or a man dying of cancer in Canada. Of course I am not really those people but I get a true flavor for those worlds, those experiences, the good and the bad, the ugly and the beautiful, the joy and the sadness.
With photography I get a chance to live outside of the same same everyday meat and potato lives many of my friends and family live. Because I use a camera and make pictures all the doors to a wonderful life experience are open to me, photography is a window into everything! 3) The Photograph The third joy is about the feeling you get when you accomplish your goals, when you see your final print in the developer, fix or hanging in a gallery. There is a special emotion there, a true satisfied happiness, something so uniquely rewarding. In the darkroom sometimes when I see the finished photo for the first time as it lays in the fixer tray I will let out hoops of joy. I will scream and shout. It is quite a spectacle! It's just the sheer high of that moment bursting out, the YES moment. When the photo is right and you see it for the first time it's the best feeling in the world, better than anything I have ever felt, the high of highs!!
@JGZ