Social Documentary Photography for a Better World!

Friday, July 18, 2014

2015, 6 Month Trip?

After we lose dad I plan on asking for a 6 month leave from work to pursue the book project I want to dedicate to my father. The project will be a series of portraits of children living in poiverty in Southeast Asia. I plan on shooting the portraits with a 5x7 view camera, they will be vertical photos of standing full figures. I want to have continuity in the book so shooting everything full figure and vertical should help accomplish that. The goal would be to show the humanity of the children, their joy (as most kids can be happy in the oppressive situations) as well as their difficulties and poverty. I would travel throughout Asia to make the pics, Burmese children in the Mae Sot garbage dumpThailand, Thai children Klong Toey slum Bangkok, Cambodia, Laos, Burma, Vietnam etc. I would need to make several thousand exposures which would eventually be edited down to a book of 50-75 portraits. The project might take 4 or 5 years to complete, I would also work on various other series during this initial 6 month opportunity.

Of course there is every chance that work will not allow me a leave, in that case I would take my 7 weeks of holidays and give the project a  small short start. Later on when I have enough money saved I would quit my job and go to Asia for 6 months to make pics. Hopefully dad will be with us for a long time yet and all of these plans are for the distant future, but I fear not. I will need time to recover after dad is gone, I am sure I will go into a depression, the only way to push through that is to make pictures which always gives me joy and helps me forget personal problems. Working hard and making pictures to put into the dad book is the best way I know how to move forward in life without my father.

Latest Dad Film

Here are some more shots of dad, Tri-x 800 ASA with 21mm lens and the Leica M6. Today when I visited dad his voice was a bit stronger than yesterday, he is still losing so much weight. He held my hand and thanked me for coming to visit him as he always does. I tell him lots of stories when I visit, about work about Thailand about silly pet videos, whatever I think will distract him for a while.

On Sunday dad managed to got to Swiss Chalet with mom and my uncle and aunt maybe for the last time. Not sure how much time dad had left, he fights on, eats as much as he can manage and tries his best to keep going. I hope I will have as much courage as he has shown when my time comes.

I want to try to photograph dad smiling and laughing but there is not much of that now. I photograph him how I find him each day, not asking dad to change anything. He has been very open to my camera not limiting what I shoot in any way. I try to document the truth when I photograph but also want to photograph him with respect. Dad has showed me nothing but love my entire life and made me everything I am today. Now he is allowing me the opportunity to record this last phase of his life. I asked him if he wants me to photograph him at the funeral home and he said yes a few shots, so I will photograph my father right up until the end, and then I will photograph him after the end. Last of all I will photograph his gravestone.

I will miss my father so much, not sure how to handle any of this, it's all so difficult. The most important thing is I want dad to be pain free and suffer a little as possible. I am looking forward to next week when I am off work. I can spend more time again with dad, maybe to tell him some stories and just be next to him to help him anyway I can.

Dad, July 2014 Canada
Dad, July 2014 Canada

Photographer Maya Goded

These two images are by the Mexican photographer Maya Goded. I think they are part of her book on prostitution in Mexico city called "Good Girls". I am going to try to track down a copy of the book tonight. I love wonderfully powerful abstract quality of these portraits..

Update* I bought my copy of the book from amazon, free shipping worked out to about $27 CAD. I have bought no photo books or much of anything else over the last 4 or 5  months as I am saving madly to go back to Asia but sometimes you got to splurge a bit. I am looking forward to studying this strong photographer.

http://www.amazon.ca/Good-Girls-Maya-Goded/dp/1884167624/ref=sr_1_1?ie=UTF8&qid=1405676108&sr=8-1&keywords=maya+goded

Photo by Maya Goded
Photo by Maya Goded

Thursday, July 17, 2014

350000 Page Views!!!!

In the next day or so the blog should be hitting 350000 page views, it has taken almost 7 years. Thanks everyone for visiting the site and reading my little old blog. Please continue to click on the advertising as it is helping to fund my various photo series. I am not able to make much money from picture sales, shows or grants but the money from the blog always goes towards new film and photo paper. Every 10 months or so I make $100 from the advertising.

Thank you very much again for your continued interest and help. Now lets work our way up to 1000000 page views, 650000 to go!

Gerry

Developing Using Rodinal In Thai?

I have been thinking a lot lately of doing film development in Thailand. My standard developer for all my films outside of stand development is D-76. With stand I use Rodinal 1/50. I have been thinking that if I am in Thai D-76 might be difficult to come buy and expensive. Why not use Rodinal especially for the large format sheet stuff which will probably be developed in trays along with all the 35mm stand development. I could probably save the 200ASA Tri-x both 35mm and 120 for later development in Canada but it would be fun to be processing some of the sheet film in Thai. I might have to try that in the coming months here in Canada to see how Rodinal looks with the 4x5, 5x7 and 8x10 Tri-x. At 1/50 or 1/100 one bottle of Rodinal might last me 6 months!

Another 800 ASA Dad Film

As I type this I am developing another film of dad shot on Tri-x exposed at 800 ASA, I will post some shots tomorrow. I want to less and less of my 35mm work using flash, with the faster lens I am using and 800 ASA stand development I should be able to do that. David Goldblatt used no flash in his photography, with 35mm I would like to do that also.

Shooting film at 800 ASA with movement and blur is a truly freeing experience.  You worry less about low light, less about focusing and sharpness. It is all about the feel of an image, the emotions your trying to communicate. The higher contrast prints with strong pronounced grain from the Rodinal development create a really unique and expressive look. Shooting 800 ASA Tri-x is something I plan to work on a lot more with in the coming years.

Quote: Peter Cushing

"I hate the word 'hate'."

Wednesday, July 16, 2014

Quotes: David Goldblatt

Speaking of his early photographic work against apartheid in South Africa.

" I  began at first to think that I had to be a missionary. I had to tell the world  what was happening in South Africa because nobody seemed to be taking any notice. I had visions of becoming a sort of missionary with a camera."

"The subject to me is always primary. Without the subject I'm lost. I see things that really excite me because they exist, they make me itch, and I've got to scratch the itch. I scratch it with a camera."

"I work on the old-fashioned principle that if you are shooting on negative film, you expose for the shadows and I used to develop for the shadows as well, so I would end up with very dense film. I would rather have a dense piece of film than one with nothing on it. You can't print what isn't there. But if if you 've exposed generously you can print. That's what I did."

Different Lives

My thoughts go back again and again to the people I photographed at the dump. Their lives in Thai are so different than my life here in Canada. Yesterday at work a women I work with threw out her entire dinner when a single fly landed on the food. I think back to my time in the dump, to the thousands of flies there that hover and crawl all over everything. They are in the garbage, then on you, then on your food, on your children, in your home, they are everywhere all the time. I remember at one point when I was in mid dump in the garbage counting 40 flies on my arms, chest, hands, legs.

What different lives we live here in Canada, one fly and the food is in the garbage. In the dump in Thai the food with the the flies on it is often taken out of the garbage. I need to get back to those people, and continue to tell the stories of those lives. The art expert grant and gallery people might think their story is not worthy but I do, and I will continue to try to tell it.

Young boy walking in the dump 1"Families of the Dump" Series, Thailand 2013

Tuesday, July 15, 2014

Quote: Cees Nooteboom (Writer)

"Photography is preserving. It is a hundred other things of course, but to most people it is simply preserving. They preserve themselves and each other."

Qoute: Robert Capa

"If your pictures aren't good enough, you are not close enough."

Quotes: Donald McCullin

"There's a whole conveyor belt with one disgusting social problem after another. I know these things are wrong. That's why I photograph them."

"I don't believe you can see what's beyond the edge unless you put your head over it; I've many times been right up to the precipice, not even a foot or an inch away. That's the only place to be if you're  going to see and show what suffering really means. How could I live unscarred after all that?"

Monday, July 14, 2014

Latest Grant Rejection, That Makes 5?

Just got another grant rejection, this one is a small $750 travel grant. I was accepted for this grant the last time round but not this time, even thou I believed I qualified in all areas. The last grant lead to a major show in the Edmonton area and I also gave credit in all the advertising to the EAC as well as contributing photos (2 or 3?) to their year end funding statement catalogue. I am not sure what I could have done more of to quality, I did everything that was asked of me and a bit more. Maybe they just wanted to give out the grants to all new folks this time, they said in the rejection letter there were a record amount of applicants.

I will have to just soldier on using my security money to fund my photo projects. There are no galleries willing to pay artist fees to show my work, no one interested in buying the photos and no grant money. I earn a bit every month from my workshops and rest of my funds come from security guard duties, that will simply have to be enough. I will have to save as much as I can now, and shoot as much as I can later with that money. The photos will get done no matter it will just be a more difficult and a take more time. Everything will work itself out, determination, dedication and hard work will rule the day, it will allow me to follow my dreams. What the arty farty art expert people decide is beyond my control, but how hard I save and how hard I work at my photography I control. I will make the pictures regardless, I will do this on the own. Full speed forward, move out of my way Gerry is coming through!

:))

Sunday, July 13, 2014

EPS, ESP Meeting

Had an Edmonton Photographer Society, Edmonton Society of Photographers meeting tonight. We all were at Larry's home today in the river valley, had some great food (full dinner) along with plenty of photo and art talk, the last several hours Larry showed his most recent work (all from the last 3 years) shot in Nepal, Bangladesh and the Philippines. Some amazing and powerful photography, with beautiful mysterious light and images that have both form and compositional feeling to them. Plus the overall human factor, which is something I admire most. Photos that are about people and tell the stories of their lives, that communicate the message of who and what they are. These are the most important types of photographs.

The group plans to meet at each members home where the photog shows his work. We have gone through 4 different members now I guess my turn is coming up. I was thinking of how I will do that. Larry did a digital projection show of his work tonight which worked out really well. I think I will create a PowerPoint of the variety of my series over the years. Maybe 5 photos from this project and 5 from that. I can do a running commentary of the pics as Larry did tonight. I would have to borrow Larry's projector as I do not own one. I could also show some fine fibre prints framed and otherwise along with a stack of my 11x14 contacts. I might even show some of the colour photos. It would be a fun night, who does not like talking about their work and I can blab with the best of them. 

Saturday, July 12, 2014

Quote: W. Eugene Smith

"Each time I pressed the shutter release it was a shouted condemnation, hurled with the hope that the picture might survive through the years, with the hope that it might echo through the minds of men in the future - causing them caution and remembrance and realization."

Random Photos #2

Here are some more random shots from the hardrive that I have never posted on the blog.

Betty ladyboy short time bar worker, Thailand 2012
Bloody finger, Thailand 2003
Mountain and lake, Rocky Mountains Canada 2011 
Remains of a forrest fire, Rocky Mountains Canada 2011
Young girl living in garbage dump, Mae Sot Thailand 2013
Young boy Klong Toey slum, Bangkok Thailand 2012
Klong Toey apartment, Bangkok 2010

Friday, July 11, 2014

Random Photos #1

I decided to look through some of the thousands of exposures that I shot over the last few years which are stored on my hardrives to find some pics I have never posted on the blog before. These photos are from a variety of photo series. I wanted to post something new, something besides shots of dad. Day in day out putting pics of dad online is so hard to deal with. I just wanted to see something else, something to distract me from that depressing reality.
Dad 2012
Ladyboy short time bar workers, Thailand 2012
Canal water and refections Klong Toey slum, Bangkok 2012
Man and woman sleeping over canal Klong Toe slum, Bangkok 2012
Man in Klong Toey slum, Bangkok 2011
Klong Toey slum freeway's, Bangkok Thailand 2012
Young boxer Klong Toey slum, Bangkok 2013
Long gogo bar worker, Thailand 2007
Garbage dump, Mae Sot Thailand 2013
Three young boys in garbage dump, Mae Sot Thailand 2013
Children Poipet slum, Cambodia 2010
Klong Toey slum, Bangkok 2012
Canal water and refections Klong Toey slum, Bangkok 2012
Three men at bus station, Thailand 2012
Garbage dump, Mae Sot Thailand 2013

Thursday, July 10, 2014

Earlier Photos, Dad In Hospital

Here are some earlier shots of Dad in hospital, this was around March I believe.

Dad and mom in hospital room, May 2014
Dad in hospital bed, May 2014

Need To Print A Show

I have a hunger to do a long difficult printing session for a major show. My new updated darkroom is raring to go, I am raring to get under the red light. The problem is I have no shows! : ))

It would be so exciting to print a major show of the "Families of the Dump' photos or some kind of sex worker or retrospective show. Two years ago I started printing 37 photos for the "Train is Coming" exhibition at Kaasa. I wish I had something like that to work towards, last year I did up 20 odd prints for the "Body Sellers" exhibition in New Orleans. I need a show like today, now, to print for.

Maybe I can just do up 20 or so of the dump pics in 16x20 for a possible show at some future, maybe date. It's not the same thou if your just printing for the sake of printing, having a gallery somewhere that wants the work makes all the difference. When you know it's going to be shown somewhere at a future date you have a worthy goal to work towards, the prints you create are more beautiful because they are destined for a gallery wall.

I guess I have to just continue to submit work. The photos I am doing of dad the last several months might also be a future project to submit to galleries but for now I am just doing it for my father and myself.  I am making the photos as a tribute to what dad is going through, I want him, I need him to be remembered. There is also the possibility a few of the dad pics might get into a self published mag with my photo group photogs.

The most important thing to do something I have always felt is to continue to create new work. If I keep photographing, if I continue to make new and important pics then everything else falls into place. If the new photos are good enough, if the stories are strong enough everything will eventually be shown. My number one concern should be the creation of new work, nothing else matters.

Wednesday, July 9, 2014

More Dad 800 ASA Scans

Here are a some more recent photos of dad shot in June/July2014, all on Tri-x at 800 in stand development for 2 hours in 1/50 Rodinal. Dad and mom had their 57th wedding anniversary this week, I knew dad would make that date, he is proud of his long marriage.

Dad 82, July 2014 Canada
Dad 82, July 2014 Canada
Dad 82, June 2014 Canada
Dad 82 , July 2014 Canada
Dad 82 , June 2014 Canada
Dad 82, June 2014 Canada
Dad 82, June 2014 Canada

Monday, July 7, 2014

Quote: Micheal Ackerman (Photographer)

"Photography is an expression of the inexpressible, otherwise why photograph?"

Michael Ackerman is a very strong photographer, his work is so much less literal so much more ambiguous than what I try to do, there is a real unique beauty and mystery to it all. I need to grow as an photog to get to another level, to get past the first lines of the poem, make things more complex, more depth, less simplistic. I need to multiply the meanings of it all.

Here is a link to some of Ackerman's wonderful work:

Micheal Ackerman Photographs

Photo by Michael Ackerman

Not Living With Regret Emails

Had this interesting email discussion with a friend, thought I would post it here as typed (with a few cleanups of language). You need to start at the bottom of this blog entry and read up. In this exchange as in most things I am the pretentious long winded one! : )
----------------------

Gerry wrote: yes regret…thats something hard to get past…being old and not able to do stuff and then regretting not doing it when I was younger has inspired me my whole life, it has got me to get off my lazy ass and do shit while I still can. 


Passing stuff off till tomorrow is a recipe for not doing anything, and later regretting your choices.

Not wanting regret is one of the great motivators for this next phase in my life…I should have enough money  to chase down some of my photo dreams…not saying I will achieve them but I want to try as hard as I can while I still can so that later on when I am in Dads current  situation I can think back and say to myself…   I F--KING TRIED…I GAVE IT MY BEST SHOT…I HAVE NOTHING TO REGRET…(or at least less to regret)

then there are fewer WHAT MIGHT HAVE BEENS…etc.. 

Date: Mon, 7 Jul 2014 12:40:11 -0600
Subject: Re: great quote

L wrote: I think regret is more sad than bitter or angry.

On Sun, Jul 6, 2014 at 10:45 PM, Gerry wrote:
Gerry wrote: yes your quote is a philosophy for much of my overseas stuff..the one I remember is

"Failure is not as painful an emotion as regret"...in other words better to try and fail at something then later on life regretting not trying...someday I might be the old man in a wheelchair after a stroke that I saw growing up as a dietary aid in hospitals...when that guy is me I would rather have failures  in my life...than having to live with the regret of never trying..living with the knowledge that I had the chances and did not take advantage of them would be very very hard to deal with...that's how you turn into a bitter angry old dude.


Date: Sun, 6 Jul 2014 20:05:53 -0600
Subject: Re: great quote
 
L wrote: I like the quote:  "Better to have tried and failed than to never have tried at all".  The sentiment is similar.  You are certainly correct.  Talk is cheap and actions speak louder than words.


On Sun, Jul 6, 2014 at 3:59 PM, Gerry  wrote: 

Sunday, July 6, 2014

Quote: Donald McCullin

"One must not think about doing things in life, one must do them."

Saturday, July 5, 2014

Latest Stand Development

Here are some scans from 2 films I developed at my standard 1/50 Rodinal stand development 20C, for 2 hours. One is a 800 (ASA) Tri-x film of dad and the other is some old 3200 Tmax I had laying around in my darkroom for years. The shots of dad were made with the Leica (M6) and 21mm F2.8 around 1/30 or 1/15 of a second. I am shooting the Tri-x at 800 which allows me to use the slow 21mm in low light. I am getting to like the 21mm more and more, I enjoy the combination of space and the distortion you get with the lens.

Dad working at farmers market around 2006-8, Tmax 3200
Dad Tri-x 800, June 2014
Dad Tri-x 800, June 2014

Photo Series Idea For Dads Dedication Book

I have thought of a great photo series idea for the book I want to dedicate to my father called "A Promise to my Father …...". Dad always worries for children, he always told me "Why do people make babies if they cannot take care of them?" Whenever he saw a child that was poor or suffering in any way he would ask me that same question.  Dad always put the need of me and my sister first over his needs, it was always "give it to the kids" with dad. Doing a series of large format portraits of children shot in the slums of Bangkok, Cambodia and the Mae Sot garbage dump, seems a perfect idea, a perfect theme for the dad dedication book. It would be the perfect tribute to Dad, he would be contributing to recording who these forgotten children are, he will be directly responsible for the making of the pictures.  Maybe the book or exhibitions of the work can help the child subjects in some small way, money for aid organizations, raising awareness to their living conditions, donations of food and other essentials.

Doing a book of children poverty portraits to dedicate to a man who always loved and worried for his own children and the plight of other children, just seems right.

Maybe the book could be called "A Promise to my Father: Children Living in Poverty","A Promise to my Father: Portraits of Children in Poverty","A Promise to my Father: The Lives of Children in Poverty""A Promise to my Father: Children of-in Poverty", "A Promise to my Father: The Forgotten Children of Poverty", "A Promise to my Father: The Forgotten Children of  South East Asia", "A Promise to my Father: Forgotten Lives in  South East Asia", "A Promise to my Father: The Forgotten Child Voices of  South East Asia", "A Promise to my Father: Forgotten Voices", "A Promise to my Father: The Forgotten Child Voices of South East Asia"

On my next trip, I will throw myself full bore into this new series idea. I can do it at the same time I do general portraits in Klong Toey slum and of the Mae Sot garbage dump families. It will become sort of a multi tasking photo shooting thing, 2 or 3 projects at the same time. Now I just need to work hard in Canada and save money so I will have the funds to produce this series.

Update* I talked to dad about this idea today during our daily visit, he smiled and like the plan, SO IT'S A GO!! The first 3 places that I will try to make photograph are Klong Toey slum in Bangkok, the slum at Poipet in Cambodia (on the Thai border inside Cambodia) and the Mae Sot garbage dump children (on Thai border with Burma). With these 3 shooting locations I can include Burmese (Karen?), Thai and Cambodian children in the project. To show their joy for living along with the struggles they face seems like a noble way to do dads tribute book. I will use a 5x7 view camera with a 120mm wider angle lens for the start of this project and then go from there, see how things develop.

Three Burmese children, Mae Sot garbage dump, Thailand 2013

Friday, July 4, 2014

Quote: Dorothea Lange

"To live a visual life is an enormous undertaking, practically unatainable but when the great photographs are produced it will be down that road but I have only touched it, just touched it."

Mother and Two Children on The Road Tulelake, Siskiyou County, California, 1939/1975 Dorothea Lange

Quotes: Art Shay (Photographer)

"The litany of all true photographers is, just one more!"

"A photograph is a biography of a moment."

This video on Art Shay's life long photography of his wife Florence is very beautiful. Check out the part of the vid where he is wearing a camera even when he is pushing his walker, you got to love that!

https://www.youtube.com/watch?v=4bXrwQTxMsI

Photo Story: Smiling Girls Klong Toey Slum, Bangkok Thailand 2010

This photo was made on the railway track area of Klong Toey slum, it was the lead photo in my photo exhibition "The Train is Coming: Portraits from Klong Toey Slum". The young girl in the foreground followed me around with her friend laughing as I made pics. Earlier I had taught some English to her and a group of friends. I remember the young girl (white dress) in the photo was very happy to learn the english word "nose", she kept saying it over and over again until it was almost a yell, nose!, nose!!, nose!!! The Thai children of Klong Toey slum have so many questions, they often come up to you smiling and joyful, curious who you are and where your from. I would like to do a whole series of 5x7 vertical portraits of the children of the slum, showing them standing at play, in their school uniforms etc.

Leica M6 with 28mm lens on Tri-x (200ASA), daylight.

Smiling girls Klong Toey slum, Bangkok Thailand 2010

Photo Story: Motorcycle Taxi Drivera Home Klong Toey Slum, Bangkok Thailand 2010

This photograph was made in the home of a motorcycle taxi driver in Klong Toey slum.The head shot of the man on the left is the driver, it was made before he suffered serious burns in a fire. The driver lived in this small shack on the railway tracks in the slum, with his wife and his young baby. When I offered money for the baby who was sick so they could visit a doctor he turned down the money, he told me that he and his wife both worked and did not need it. The vest in the picture is what motorcycle taxi drivers use when they are on the job in Bangkok. The small Buddhist shrine is common to all Thai homes as is the picture on the right of male family members as monks. Most Thai males spend part of their youth or early adulthood as a monk.

I would like to visit him again but I forget exactly where the home is, maybe I am going to the area at the wrong time of day, the family is probably working. I remember I photographed him on a Sunday so I might try visiting the area on a Sunday next trip so we can restart our relationship. I would very much like to get to know him and his family better, a good, honest hard working man.

I think of his small one room home and family often, you realize how lucky you are when you see the standard of living many people must live in. My home which is considered old and a bit run down by Edmonton Canada standards would be an absolute luxary mansion for this family.

Leica M6 with 28mm lens and direct flash on Tri-x (200ASA).

Motorcycle  taxi drivers home Klong Toey slum, Bangkok Thailand 2010

Thursday, July 3, 2014

Quote: Eli Wallach

".. have a good relationship, find out what you want to do in life, and do it! Is the best you can acheive."

A Promise To My Father

Today when I was in the bathtub before coming to work I came up with this title for my book (gosh is there anywhere I do not think about photography?). The idea was to title it "A Promise To My Father" with a subtitle specific to the photographs in the book, "Portraits From ....."

The book could be a series of 40 or 50 portraits done of the Burmese families at the dump or some other specific subject. I might also do a more general book of portraits done all over Thai or South East Asia, families of the dump, boxers, bar workers, farmers, migrant construction workers, fisherman, police, soldiers etc. all together in one book. The photos would be shot with in a vertical format with a 5x7 or 4x5 view camera and wider angle lens (120mm or 90mm).

The title would refer to a vow (promise) I made to dad, to do a photo book and dedicate it to him. I would have dads photo with an extensive dedication, maybe a bit of a biography. This way his life and his tremendous contribution to the lives of his children would be recognized and remembered.

I would probably first do up a self published book version from a publisher like Blurb and then submit that book to multiple real publishers. The idea is to get a real very high quality real book published by a real book publishing company. Maybe if the photos are strong could happen and I could fufill my vow to dad. I will try, give it my best, work hard at it and see what happens, that's all dad would expect of me.

Photo Story: Laughing Homeless Man, Bangkok Thailand 1999

This photo was made as part of my 10 month trip to Thailand in 1999. I was doing a series on freelance sex workers in Thailand and after a long night of shooting I was walking home around 6am down Sukhumvit road in Bangkok when I came across this man sitting amongst some scrap wood next to the very busy road filled with early morning traffic. I spoke to him with my very limited Thai at that time and we joked around a bit, leading to his laugh. I shot him in both b/w and colour, I had completely forgotten about this colour pic until I found it on the blog today. I remember his hair being terribly matted and that his clothes were very dirty, he did not seem to be all there when I spoke to him. This man might have had mental health issues or a history of substance abuse. The series of photos I made with him lasted maybe 5 minutes, I gave him some money which you can see in my favourite b/w shot and then I was off. Even thou I used to walk Sukhumvit nightly back then I never did meet this man again. The photo was made with a Mamiya 6 camera and their wide angle 50mm lens with Afga colour 120 film using direct flash mixed with some early morning light.

Laughing homeless man, Bangkok Thailand 1999

Photo Story: Muay Thai Boxer Klong Toey Slum, Bangkok Thailand 2012

This photo was made as part of a continuing project documenting the boxers of a Muay Thai gym (Thai boxing) in Bangkok's Klong Toey slum. Some of the boys and young men in the gym go to school and live in outside slum shacks, many others live and train in the gym full time when they are not in school. This Muay Thai gym is ragged and run down but the spirit of the sport lives on here, the trainers make almost no money, are very dedicated and work their charges hard. The walls of gym are covered with photos and newspaper articles of champion boxers.You can feel the sport alive when you walk into the gym which is built under a freeway in the open air.

I want to return with the 5x7 camera next trip and do more formal portraits with the boxers. In the past I have shot mostly 35mm Leica stuff, with flash and Tri-x (200) or pushed Tri-x (800) without flash. I need to do better work here, I feel like I have not captured the power of the place yet. The devotion and hard work of the boxers and what the feeling of what the Muay Thai life is, need to be shown better in the pics.

I need to spend more time and connect with the boxers better, get to another level with them than I am now. I am an outsider in their eyes. I wonder if I trained with them if that would make a difference, thou a 50 year old fart like myself might hurt himself doing that. Maybe I can accomplish better work if I become a part time boxer and spend more hours in the gym in the future.

Leica M6 with 28mm lens and direct flash on Tri-x (200ASA).

Muay Thai boxer Klong Toey slum, Bangkok Thailand 2012

Photo Story: Young Boy Outside His Slum Home, Poipet Cambodia 2011

This photograph was made in a Poipet Cambodia slum a 1/2 a km or so away from where Thai fat cats gamble away millions of baht (Thai currency) in 5 or 6 large luxurious casinos. The boy was sitting on a board that led to the back of his home which was a wooden/metal shack located in the back behind a large Cambodian Buddhist temple. The area around the back of the home and under the board was filled with garbage of all kinds. The boy was very curious about me and laughed and enjoyed being photographed. The neg is high contrast, the boy was shot in deep shadow with a bright hot sun peaking through at various points. To see a child living like this is heart breaking, they have so little, there future is so limited and bleak but yet like this young boy they smile and laugh when your with them.

Leica M6, 21mm lens, Tri-x (200ASA).

Young boy outside his slum home, Poipet Cambodia 2011

Wednesday, July 2, 2014

14 Variations

I was just looking through a book of mine called "Original Sources, Art and Archives at the Center for Creative Photography" In the book they have a couple of photographs of original contact sheets of W. Eugene Smith's Spanish village photo essay (Life magazine). On the contact sheet there are 14 variations of one of Smith's iconic images of a woman spinning. It is comforting to know that I am not necessarily over shooting subjects. If Smith took 14 shots to make his great photograph, then working on a subject and taking over 10 shots with slightly different compositions/movements is perfectly acceptable. I guess when you only see the final images of something for years and years you can forget that many photos with subtle differences might have been made before and after the decisive shot. If varying movement and shooting lots of exposures of a subject is good enough for my idol Eugene Smith, it is certainly good enough for little old me. Who cares how many pictures you make of a subject as long as you get the final important photograph, that is all that matters.

Spanish Spinner, Eugene Smith 1950

Metro Continuing Education Photography Teaching Course Update

Got an email from the continuing education folks here in the city. I doubt the darkroom workshops would work out as all classes need to be taught in a classroom setting but view camera workshops remain an option. I will fill out the course description(s) and get the info back to my contact later this week. This might lead to teaching in a classroom setting with more students, more fun and eventually more funds for my photography in Asia. Promoting and inspiring photography then using the money earned to make pictures in Asia, it all sounds great! I might also try some course descriptions for other types of classes, medium format photography, joys of film photography, documentary and street photography etc. I am not sure where this will all go, updates to follow. 

Photos Might Help Those In Klong Toey?

I like emails like the one below which I received today, this is why I make photographs. When your photos might help or contribute to others in need then you really know your on the right path. Possibly helping those in Bangkok's Klong Toey slum with your work makes all the recent arty farty art expert rejections seem so trivial. I hope the work and the piece by this British journalist will be published. I told her that sure she can use the work and that if there is anything else I can do to let me know. If anything positive happens I will post the links later. Here's hoping the pics and article can help those in the slum, maybe raise a bit of awareness, help with donations or help get more volunteers.

The Train is Coming - pics for UK article
Dear Gerry,  

I am a freelance journalist writing a piece about a UK couple (missionaries for UNOH) who are taking their two children to live in Klong Toey to participate in UNOH charity projects. 

I am looking for GVs of the Klong Toey slum and wondered if I might be able to use some of yours? 

At the moment, this is merely a pitch - via an agency (bavmedia.com) - to the nationals, but there is a possibility we might get it in the Daily Mail and Mail Online. 

I am afraid we are unable to guarantee payment but I could mention your exhibition and try hard for a credit?

All the best, 

---- ----
Update* Sent some blog links, offered to send photo scans to K the journalist. It looks like this little project is a go. Hopefully the article and photos get published in a British National newspaper. I would love the story of Klong Toey slum to be seen and heard.

Tuesday, July 1, 2014

6 Months Here, 6 Months There

While doing my rounds tonight I thought of a simple photo plan that might give the best results. What about spending 6 months in different photo locals every year, followed by 6 months of working in Canada (until I am 65). The 6 months might  actually be 4 or 5 but lets just play with the bigger number here. After some hard saving for 3 or 4 years I could try a 6 month plan something like this. The plan would not include buying a condo in Thai, instead the money would be safely kept in the bank until needed.

1) Age 54: 6 months doing photos in Thailand, 6 months working in Canada.
2) Age 55: 6 months doing photos in  Cambodia, 6 months working in Canada.
3) Age 56: 6 months doing photos in Indonesia, 6 months working in Canada.
4) Age 57: 6 months doing photos in Vietnam, 6 months working in Canada.
5) Age 58: 6 months doing photos in Laos, 6 months working in Canada.
6) Age 59: 6 months doing photos in Burma, 6 months working in Canada.
7) Age 60: 6 months doing photos in Nepal, 6 months working in Canada.
8) Age 61: 6 months doing photos in India, 6 months working in Canada.
9) Age 62: 6 months doing photos in China, 6 months working in Canada.
10) Age 63: 6 months doing photos in Mongolia, 6 months working in Canada.
11) Age 64: 6 months doing photos in Bangladesh, 6 months working in Canada.
12) Age 65: 6 months doing photos in Ethiopia, 6 months working in Canada.
13) Age 66: 6 months doing photos in Brazil, 6 months in Canada.
14) Age 67: 6 months doing photos in Cuba, 6 months in Canada.
15) Age 68: 6 months doing photos in Rwanda, 6 months in Canada.
16) Age 69: 6 months doing photos in Uganda, 6 months in Canada.
17) Age 70: 6 months doing photos in Argentina, 6 months in Canada.

18) Age 70-80 print my lifes work.  

Not sure I would have enough money to do all of this but if I am very careful and spend under $20000 for each 6 months away from Canada at least some of it would be possible. Imagine all the photos that could be made, all the stories that could be told. I would have to stay in poorer countries to allow my Canadian dollars to go farther but often the poorer countries have the best people, the best stories and are the most compelling to photograph.

This might all be pure fantasy but it could also come to pass. Heck I am not even sure I could keep up that pace until 70 and that I would actually live that long. My father worked hard until he was about 79 years 6 months old, so if I am lucky to inherit some of his hardworking tenacity and toughness then it might be possible.

Sometimes I have these outrageous ideas and they go no where and sometimes like with the sex worker on white pics they develop, are produced, and get picked up by important photo festivals and websites. We will have to let this germinate for a while and see where this goes, it is all at least 4 years in the future.

Call for PhotoNOLA 2014

Here is a call  for the PhotoNOLA 2014 photography exhibition in New Orleans Louisiana. I was lucky enough to be part of the festival last year, the photo in the top link is my show layout for my Thai sex worker series, the exhibition was called "Body Sellers". That reminds me I still have to finish the video for that opening night, 7 months later and still do not have that online!

I highly recommend visiting PhotoNOLA 2014, it's a great photography festival full of some amazing people and a wonderful variety of world class photography. If your a photographer please try submitting work to the links below, I got in, you can get in to!

The below link is also availble in French and Chinese.

http://www.loeildelaphotographie.com/events/event/call-for-photonola-2014-exhibitions

http://photonola.org/2014/06/20/call-for-photonola-2014-exhibitions/

Gerry Yaum exhibition "Body Sellers" in Zeitgeist at PhotoNOLA 2013, New Orleans Louisiana