Mixed Up 5 Litres of Gerry Collodion

Mixed up 5 Litres of Gerry Collodion. Should last a couple of days. Also bought 250 grams of Silver Nitrate. 

The expensive part of the project. Need to sell some plates! 

Got to get goong on new work!

Churchill Book

Nice thrift store find from yesterday. One of the six books written by Churchill post WW2 on the conflict. I had the other five but was missing this one. $2 CAD. 

Reading about Burma. The people I photograph at the Mae Sot dump are from the Karen ethnic group. They have been fighting a civil war with the majority Burman people (Generals), since the end of WW2. It quite interesting to read the history that lead to the civil war.

A Good Meal After 11 Hours of Shootiing!

After a 11 hour day of making Ambrotypes, a barbecued steak, with salad, potatoes and corn, feels just right!

A wonderful view, makes it even tastier! 

The view from my table

Silver Nitrate Stain

It was a very good day, lots of successful plate’s.
silver nitrate war wound!! I must have touched my face when working with the Silver Nitrate tray. It will last 2-3 days, maybe longer.

It was a very good day, lots of successful plate’s.

FROM FACEBOOK

KI

Didn’t it burn. We used silver nitrate sticks to cauterize granulation of skin or burn off skin tags etc

GERRY YAUM

no, no burning. It is a 9% solution mixed with distilled water. It stains everything which is nasty. Also very expensive.
You do not want to get it in your eyes as it has the potential to blind. I wear safety glasses when handling it (probably got the mark when removing
my glasses). Also I have 2 eye washes in the trailer just in case.

A Busy Day!

 

Fat Plate? No Problem!

This one has a story. 
I was trying to run this plate through my silver nitrate tank yesterday. It was too thick (4-5mm) for the tank to handle and I kept on scratching the collodion surface. Super frustrating stuff!!!
Adapted and decided to add my silver nitrate to the collodion plate in a tray instead. First time I have ever done this! It worked well. I had read about it, reading is a force for good 

This one has a story. 
I was trying to run this plate through my silver nitrate tank yesterday. It was too thick (4-5mm) for the tank to handle and I kept on scratching the collodion surface. Super frustrating stuff!!!
Adapted and decided to add my silver nitrate to the collodion plate in a tray instead. First time I have ever done this! It worked well. I had read about it, reading is a force for good 

5 years into wet plate I find more and more that my problems are easily solved. Experience and the help of friends teaches you a lot! Wet plate ain’t that hard!!!
Dead Tree, 11x14 inch clear glass, AMBROTOS KANATA, Jasper Alberta, Canada, August 2026
Note* This was made on free farm glass! FREE is always good!!!                                                               

Version #1

Version #2

Tolstoy on Humanity

Leo Tolstoy viewed being human not as a biological given, but as an active moral and spiritual achievement. In works like A Confession, he argued that the sole meaning of life is to serve humanity and that empathy—feeling the pain of others—is the exact measure of our humanity.

3rd Day of Shooting

The 3rd day went very well. I felt good, refined, focused, and the work flowed fluidly. The longer I make Ambrotypes, the more easy it becomes.

More Contrast in Wet Plate

From AI:

To achieve more contrasty results with your wet plate collodion developer, increase the ratio of acetic acid (the restrainer) to ferrous sulfate or slightly decrease your exposure while extending development. A highly concentrated or "hot" developer applied with aggressive agitation will also boost highlight contrast. 

Specific techniques and formulation adjustments you can use to tailor your wet plate contrast include:

1. Adjust Your Developer Formula

Increase Acetic Acid: The acid acts as a restrainer. Increasing the amount of 28% or glacial acetic acid in your ferrous sulfate developer holds back shadow details and creates punchier contrast.
Reduce Water: Using less distilled water creates a more concentrated (stronger) developer. 
Standard Old Workhorse Recipe (High Contrast):
• 30 to 45 grams Ferrous Sulfate
• 30 to 45 ml Glacial Acetic Acid (or 45 to 60 ml of 28% Acetic Acid)
• 30 to 45 ml Ethanol or 190-proof Grain Alcohol
• 500 ml Distilled Water 

2. Exposure and Development Tweaks (Push/Pull)

Underexpose and Overdevelop: To get brilliant, "dead" whites and deep shadows, slightly underexpose your plate and leave it in the developer longer.
Use a Metronome: Development time is your primary contrast control. Longer development times (e.g., pushing to 18–25 seconds) will aggressively build up highlight densities. [1]

3. Add a Restrainer (Sugar)

Lea's Sugar Formula: Adding sugar (or honey/sucrose) to your developer acts as a powerful restrainer. This allows you to develop the plate for longer periods without the background fogging, resulting in richer, more separated tones. 

4. Collodion and Bath Conditions

Aged Collodion: Older collodion that has turned red/amber is generally less sensitive to light. If you use standard exposure times with old collodion, the plate will naturally become underexposed, resulting in a more contrasty image.
Silver Bath: A slightly more acidic silver nitrate bath (lowered pH) yields cleaner, more contrast-rich plates (less prone to chemical fog). 

Quote: Leo Tolstoy

Wet Plate Talk

 

Making Ambrotypes

 

Mystery Man

The latest Japanese Ambrotype buy. My collection of these type Ambrotypes is about 6 or 7 now. I find these little beauties fascinating. Who was he, what happened to him. What kind of life did this little old man have? Did he have a family? What was his story?

The Ambrotype probably dates to 1870-1890. Meaning the man has been dead for 100 years plus but amazingly still lives inside the glass. You got to love the beauty and lifespan of wet plate collodion photograph.

Lunch Time Day 2

Lunchtime. Corn Beef sandwiches, pickles and salt and vinegar chips. The view! Priceless!!

Making Ambrotypes Day 2

Day 2 of Ambrotype making, will stay here in Jasper for an extra night and have a day 3 of shooting tomorrow. 

This area was swept by fire in August 2024. 

14x14 inch clear glass ambrotype, AMBROTOS KANATA, Canada

Making Ambrotypes Day 1

 Making Ambrotypes. Will try my first diptych!

Portraits With More Depth

Portraiture is more than making people look pretty. At least it should be!

Francis Bacon WORK

Goya’s Cyclopse

Saturn Devouring His Son - Dark & Macabre Classic by Francisco Goya, 1820-23

Note* this painting inspired Christopher Nolan (The Odyssey)

Thinking Time

 

Is Prem Alive!?

Found these today. Selfies with Khune Prem from 2025. I need to go back and see if she is still alive.

Will return and buy more food then donate it, with the photography talk money.

Project: THE PEOPLE WHO LIVE UNDER THE FREEWAY, Khlong Toei Slum Bangkok

VIDEOS: 2 More 11x14 Ambrotype Portraits

Finished up a few more 11x14 Ambros. I do not think the one of mom really works but it has some potential, so I placed it with tape against a black substrate. I will play with the idea.

Note* I have also started writing titles on the back of the taped plates.

VIDEOS: 3 New Ambrotypes

Three more 14x14 inch Ambrotypes.

Lisa #2 and #3, AMBROTOS KANATA, Edmonton, Alberta, Canada July 2026

Taken with 8000w flash setup and 360mm Schneider Xenar and Chamonix 14x14 Camera.

——-

Northland’s Coliseum before demolition, AMBROTOS KANATA, Edmonton, Alberta, Canada, July 2026

Lisa #2

Lisa #4

Northland's Coliseum